Feelgood Frequencies — A 90s Trance & House Revival
Nine tracks. Six sub-genres. One album.
Feelgood Frequencies is the second trance-leaning album from Skeleton House Collective — and unlike anything else in the catalogue, it doesn't sit in a single genre lane. It moves. Balearic trance to French house. Uplifting Paul van Dyk-style anthems to dark hypnotic progressive grooves. Piano trance euphoria to funky house swagger. The whole 90s spectrum, reimagined for now. Out 12 June 2026 on all major platforms.
The Spectrum
The album opens with Café del Soul — pure Balearic trance, sunset bliss, the kind of dreamy euphoria that defined late-90s Ibiza chillout rooms. From there it climbs through Children Of The World, a piano-house-meets-progressive-trance moment with gospel-tinged choir layers and emotional cinematic depth. Dream strips it back to deep piano trance — melancholic, hopeful, the kind of track that breathes between the beats.
For An Angel is a direct love letter to the 1994 Paul van Dyk era — uplifting trance, supersaw leads, soaring builds that defined the genre at its peak. I Can't Get No Sleep flips the energy completely: dark, restless, hypnotic progressive house with old-school UK underground edge and tight techno kicks. My Music's Better With You brings the funk back — 90s French house in the Stardust lineage, summery and joyful, four-to-the-floor with filtered disco guitar.
Rhythm Cloud is balearic trance in its purest form — ethereal whispers, sunset feel, the long-reverb spaciousness that always belonged on a sunset terrace. Signal lands harder — 90s uplifting trance with full rave euphoria, supersaw chorus and male vocal chants pulled straight from the warehouse era. The album closes with You May Not Know Me — sassy, confident 90s funky house, channelling Armand van Helden swagger and bouncy walking bass.
Six sub-genres. Nine tracks. One coherent arc from sunset to peak time to closing strut.
Where This Fits
If you've been following the catalogue, Feelgood Frequencies feels like the natural next chapter after Cosmic Luminance: A New Trance Odyssey. Where Cosmic Luminance committed entirely to uplifting trance as a single sustained arc, Feelgood Frequencies opens the lens wider — pulling in the house and rave influences that shaped trance from the very start.
The timing isn't accidental. As we covered in trance music's biggest comeback in two decades, the genre is back in cultural conversation in a way it hasn't been since the late 90s. And the parallel revival of 80s and early-90s house music means there's an audience right now for both side by side — listeners who grew up with the warehouse sound, and listeners discovering it through TikTok edits and reissue compilations.
This album sits in that overlap. It's a love letter to the trance and house era, made for an audience that includes original ravers, contemporary curators, and the new generation who only know these sounds from samples and edits. The whole evolution of house music — from its Chicago and Detroit roots through the warehouse era to today's revival — runs through these nine tracks.
The Skeleton House Touch
What makes this album feel like Skeleton House isn't the genre choices — it's how they're treated. Every track is built with the same patience and atmospheric sensibility that runs through everything we make. The Balearic ones breathe. The trance ones build properly, taking their time before they pay off. The funky house ones swagger but never lose the warmth. Modern production, vintage soul.
This isn't a nostalgia exercise. It's a record made by people who lived through this music the first time around, made for an audience that wants the spirit of that era without losing the polish of contemporary production. The classics built the foundation. Feelgood Frequencies is what happens when you treat that foundation like the gift it is — and then build something new on top of it.
Out 12 June 2026 on all major platforms. Pre-save Feelgood Frequencies here — the dancefloor remembers everything.