Deep in the Bones: One Night, Twelve Deep House Tracks
There is a particular kind of record you feel before you can name it. A bassline arrives, and something in your chest recognises it a beat before your head does. That is the whole idea behind our new album.
Deep in the Bones lands on 6 November 2026. Twelve original tracks of deep, disco and vocal house, built to be played in order, from the moment the doors open to the moment the fire door swings back on daylight.
The idea
Everyone carries a handful of records that live somewhere below thought. Not favourites exactly - more like furniture in a room you stopped noticing. The warmth of a late-seventies disco string section. The ache of an eighties synth line. The blunt euphoria of a nineties organ bass.
We did not want to cover any of that. Covers are museum work. What we wanted was the feeling those records leave behind, rebuilt from scratch as new songs, over rolling sub-bass and lush Rhodes and a four-on-the-floor kick that never stops asking you to stay.
Every lyric here is original. Every melody is ours. What is borrowed is only the mood - the specific emotional weather of a decade - and moods cannot be owned by anybody.
The night
The album is sequenced as one continuous night in one room.
It opens in an empty warehouse at dusk, dust turning in the last of the light. The doors go, the room fills, and the first hour is all warmth and disco gold. By midnight the floor has found itself. Somewhere around two the record turns inward - the deep hours, the smoky corners, the conversations you only have at that time. Then the peak, the one that makes the whole room shake. And then the long descent: the floor clearing, the walk home through wet empty streets, and finally daylight flooding in through a propped-open door while the last dancers turn to face it.
If you have ever stayed to the very end of a night, you already know the shape of this record.
The sound
Rolling sub-bass. Filtered disco strings. Rhodes and organ. Soulful vocals, sometimes joyous, sometimes wrecked. Live-feel percussion under a machine kick. It sits on the sunrise side of the floor rather than the peak-time side - closer to the deep house lineage we wrote about in the evolution of house music than to anything built for a festival main stage.
It is a sibling to Classic Revisions and Vintage Rhythm, where we first started rebuilding old feelings with new bones, and it shares a bloodline with Retro Emotion.
The tracklist
- Good Times Never Asked
- I Feel It Move
- Dream in Slow Motion
- The Night Was September
- Stay 'Til the Lights
- Rain Across the Water
- Everybody Wants the Crown
- No Ordinary Way
- Show Me It's Real
- The Woman on the Corner
- Missing You at 4AM
- Back to the Living
Two of them hide the phrase skeleton house somewhere in the words. We are not saying which.
Where it belongs
Late. Always late. This is a record for the back half of a night, for the drive home, for a kitchen at four in the morning when nobody wants to be the one who says it is over. If you want the wider context for that hour, deep nights and island energy after dark covers the same territory from a Balearic angle.
Closing
The title means two things at once. Deep house, felt deep. And the songs you never had to learn, because somehow you already knew them.
Out 6 November. Feel it in your bones.
Watch: the full album film on YouTube - The Memory Floor, all twelve tracks mixed as one continuous night.